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Marc Jacobs

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I’m quite the fan of Marc Jacobs and own more than one pair of his shoes (I make all my dresses and then spend the money I saved on shoes! ha ha not really).

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What I admire most about Marc is his ability to be cool. It’s as if the clothes themselves have a nonchalant laid back attitude that just sets the tone for the season. The collections always appear accessible, you can spot any number of pieces that would slot right into your life right now. And he isn’t afraid to add a touch of quirk and whimsy into the ranges.

Cool, accessible and a sense of humour lead to some pretty stellar collections and I feel he will be one of my favourite designers for years to come.

via Lily Loves via Fashion Gone Rogue via Fashion Blog News via Harpers Bazaar 

 

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Shibori Workshop

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For years I’ve been fascinated by the indigo dyes of Japan and the designs of Shibori. It truly is an art form and their inky seductiveness is too good to resist.

I’ve also seen plenty of DIY/online type tutorials that look amazing and some sewists have had some absolutely fabulous results with their own efforts. So all of this got me hunting for a way to learn more about how to create these looks.

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A late night trawl through Instagram led me to Shibori  a Sydney based workshop that not only sells breathtaking pieces but also conducts workshops. A few emails later and they agreed to put on a special beginners workshop that we can fill with sewists.

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Numbers are very limited so if you’d like to come along let me know as soon as you can and we will make arrangements for the class fee.

Details are

Date: 18th October

Shibori Studio: 30A Salisbury Rd Stanmore NSW 2048

Cost: $110

Class includes: provisions to make 1 x scarf, 1 x approx 2.5m length of fabric. You can also bring fabric from home.

Wear: Comfortable clothes that you don’t mind getting dirty and appropriate shoes.

All images via Shibori_textiles Instagram feed

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Blog Hop

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The very talented Beth from Sew DIY has nominated me to be next in the Blog Hop. It’s aim is to share a little bit about the creative process and what inspires us to share and create. It’s been wonderful thinking over why and how I create. I highly recommended  if you are feeling a little chaotic or down, take some time to reflect on your makes. It will lift your spirits and give you a renewed sense of accomplishment!

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Why do I write?

I write because it’s one of the easiest ways to communicate. I wish I could talk to everyone in person and explain all my ideas and designs. That however would take a lot of time and involve a lot of travel. So while that would be awesome, I can’t afford that much travel.

Instead I write and try and communicate my ideas and design philosophy that way. I love to share ideas and knowledge so I’m trying to communicate as much “stuff” as I think is interesting to people. Sometimes I get stuck, in that I have too many ideas and no way of knowing if people would find it deadly dull or really interesting? When that happens if I find it interesting, then it goes up.

What am I working on?

I’m working on new patterns, so many ideas and plans happening there. I have 2 new patterns releasing tomorrow!

So far I’ve been working at releasing patterns as mini style ranges and this idea is going to continue. I want everything to co ordinate together so it becomes part of a larger more cohesive brand philosophy. I’m big with planning and from working as a designer we tend to plan out our collections 12 to 18 months in advance. I’ve been taking this approach with Measure Twice Cut Once and have a release schedule planned out. This helps me to be organised and allows me to slow down a little too. Sometimes I want to rush and get it all out there. Then I sit back and look at the schedule and say to myself “no there is a plan here, stick with it”. I want the business itself to be sustainable but also fun. Sewing is enjoyable and I want to encourage people to sew and create their own styles in a way that is difficult to do when you have to rely on ready to wear.

Personally I’m also working on some sewing of my own. I want to be ready for summer so I’m trying to add in some pieces that were missing last summer. Sewing for myself goes in cycles and it seems so much of my summer garments have just worn out, am looking forward to replacing loved pieces and finding new styles to try.

This year I also set myself some sewing challenges. One of which was making my own underwear, so I’m looking forward to finishing up some bras very soon. I’m also stash busting and have found some truly wonderful pieces that I have loved adding to my wardrobe. I’ve really liked setting myself a challenge this year, am thinking over what I should challenge myself to sew next year already.

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How does it differ from others of its genre?

I hope it does? I’m trying to share my knowledge of working within the fashion industry and how I mix that with my own sewing and of course, developing patterns.

I think I’m still finding my voice. Working on what I am trying to communicate. Long term I’d like to have the blog contain informative posts about the patterns, new release’s and hacks/DIY’s you can do with the patterns. Plus I’d like it to have more series and articles covering design and how things are approached from an industry viewpoint. I tend to pull inspiration from everywhere and feel like sewers could learn from industry in the same way knowing how to sew influences my design and industry practices. It’s not a case of one being better than the other, more of a collaborative duo that can benefit from each other.

I also want to show more of my own makes, I’m terribly behind on my own makes as I keep putting them aside for more sample testing or patterns. In looking back over the blog for the Blog Hop it’s the one thing that is glaringly obvious to me. I need to show more of my own pieces, not only to show the person behind the brand but also I genuinely enjoy the comment and feedback from the sewing community. So that’s a big challenge I am setting myself and have the determination to make sure I don’t fall behind on it again.

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How does my writing process work?

I open a post and write? I try to write like I talk, but I also like to be organised so there are plenty of pre written posts that get scheduled in advance. I want to try and share knowledge as much as possible so I try to write in a way of sharing and I hope that comes across?

I have lists and lists of topics I want to write about, so I write a list and then try and add it to a plan. Sometimes people will ask a question or mention something in passing and that sparks an idea so it all goes on the list and then I filter it out later when I sit down to write.

To keep myself on track I have an iCal colour co ordinated schedule so I know what posts are going live on what dates. This way if work or life gets in the way there is always something happening on the blog. I deliberately leave gaps though as I want to be spontaneous and celebrate things as they happen too. I work as a freelance designer a lot, so I will go from weeks of non stop to to a break of a few days or a week and then back again. It can be tiring but it also forces you to be organised about everything. From buying groceries to getting the washing done. So in the quiet work times I like to bank as much work as I can here on the blog so that the creativity of my day job feeds the blog and vice versa.

As part of the Blog Hop I get to nominate the next creative person to join in. I’m choosing the lovely Erin from Dog Under My Desk, not only does she do the most amazing bag patterns, she is soon to take the big leap and come to live in Sydney! I can’t wait to finally meet her in person.

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Kollabora – featured designer and a discount

Screen Shot 2014-06-04 at 9.43.28 amI’m pretty excited to be the featured designer on Kollabora this week. Pop on over to read what I would be if I wasn’t a designer and grab a sneak peek at my sewing and design area.

Also on Kollabora there is a discount being offered on The Jane Knickers pattern, the Sew along for these starts tomorrow!

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Designer Influence – Westwood

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I think what gets me most about Westwood is the drama of it all. It tells a story, the narrative goes from season to season and she doesn’t stray too far from her strengths.
Take a historical slant, bend it, twist it, subvert it and present it back to the audience as something new yet profoundly familiar because it is rooted in history of clothing.
Her corsets and crinolines have always fascinated me, they seem to be engineered rather than sewn but when you see glimpses of her workrooms as in many of the documentaries made on her work, you see the incredibly technical aspects of her workers.
As a fashion student I was convinced I was going to be the next Westwood, it was only as I learnt and grew as a designer that I realised not only that I couldn’t be the next Westwood but I also didn’t want to be? She is the best and only Westwood there is, and that anything less was a pale imitation thereof. Much better to learn and find my own way than strive to be a lessor version of someone else.

Floral dress via DesignerzCentral Westwood for the Vienna Ballet via Untitled Magazine Check jacket via FIDM Museum  Header image via HelloTailor

 

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Technical drawings of garments

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Many of you have asked about the technical drawings included within the pdf patterns. Where did I get them, how are they done etc etc

They are all my drawings done using Adobe Illustrator.

I have a number of blocks I’ve developed over many years for swimwear, jeans, jackets, dresses or pretty much any style of clothing. I use these over and over to create all the various styles of technical drawings I need to produce. When necessary I just draw new ones to suit my needs.

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These are all drawn proportionally so they look like what the actual garment will look like. And they include all the correct stitch lines, types of stitching, dart placements etc. If it is on the final garment it will appear on the drawing.

Very occasionally I will be asked to do fashion drawings, which I will do using either hand drawing or a combination of hand and computer illustration. These drawings are not technical, they can have distorted proportions and instead of being an aid to construction are seen as a way to capture the feeling of a collection or individual garment.

While they are beautiful and often very fun to do, the standard within the industry is a flat technical drawing that is easy to interpret and shows the details of the garments.

Using Illustrator I draw using either my mouse or a pen and tablet combination. I like using the tablet with the pen as it feels more like natural drawing and helps me to get curves to run smoothly.

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When drawing instructions I use the actual pattern pieces shrunk down so it looks just like what you are looking at when you are sewing. Sometimes I need to distort the drawing to make it look more like the fabric, especially when showing seams that have been joined. As this is when the garment goes from flat panels to taking on a dimension so the drawings need to relate that to you.

I hope that helps explain the drawings, if you have any more questions please do not hesitate to ask. Oh and I am available to hire should you need any drawings done?